- MAD WORLD GARY JULES VIDEO LOCATION NEWS HOW TO
- MAD WORLD GARY JULES VIDEO LOCATION NEWS MOD
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It hit me later in life, but back then I was teenage and angry. My father always worked away, and died when I was 17, but I hated him by that point. We were both the middle of three sons and had been brought up by single mothers with absent fathers. Mad World was easy for me to sing because I could relate to Roland's lyrics. Reading this on mobile? Click here to view video Curt Smith, singer I thought: "Thank God for the 19-year-old Roland Orzabal. I was in my 40s and had forgotten how I felt when I wrote all those Tears for Fears songs. That was probably the proudest moment of my career. Two decades later, Gary Jules sang Mad World for the film Donnie Darko and got the Christmas No 1 in 2003. So there I was, stuck by this lake doing my flying wombat impersonation, but it worked. I'd come up with this dance for it and used to do it a lot in the studio, so the record company told me I had to do it in the video, since Curt was singing and there was nothing else for me to do. The song was intended as a B-side but Polygram said it was too good, so it became our third single. Mad World's chorus – "The dreams in which I'm dying are the best I've ever had" – is from Janov's idea that nightmares can be good because they release tension. I poured all this into the song.Ī guitar teacher we knew introduced us to Arthur Janov's psychology book The Primal Scream. I kept a lid on my feelings at school but, when I was 18, dropped out of everything and couldn't even be bothered to get out of bed. My dad had been in the second world war, had electric shock treatment, suffered from anxiety and was abusive to my mum. I had suffered from depression in my childhood. One of their lyrics went something like "I believe the world's gone mad" which summed up my feelings of alienation from the rat race. There was a group around called Dalek I Love You. I got an asymmetrical hairstyle, Curt got plaits, and we started listening to synthesiser music. He was getting No 1s wearing black eyeliner, and there we were doing knees-ups to Madness.
MAD WORLD GARY JULES VIDEO LOCATION NEWS MOD
Just before that, we'd been in this mod band called Graduate, but Gary Numan had shocked us out of all that. So I said to Curt : "Look, you sing it." And suddenly it sounded fabulous. Eventually, we made the first demo of Mad World still with me singing.
MAD WORLD GARY JULES VIDEO LOCATION NEWS HOW TO
All we needed was someone who knew how to work it. Ian became our keyboard player and he had a drum machine, too. However, we were fortunate enough to be given an opportunity by a guy called Ian Stanley to go to his very big house and muck about on his synthesiser. It sounded pretty awful on guitar, though, with just me singing.
MAD WORLD GARY JULES VIDEO LOCATION NEWS CRACK
I just thought: "I'm going to have a crack at something like that." I did and ended up with Mad World. I've not told many people this, but I was listening to Radio 1 on this tinny radio and Duran Duran's Girls on Film came on. We're known as a synthesiser group, but back then I just had an acoustic guitar. I wrote it when I was 19, on the dole in Bath. Your fingers are on the cliff and you're about to drop off, but somehow you cling on. Well, with how many great musical moments we counted above (and how many more we also could have included), it seems like that should change some day.Mad World hasn't dated because it's expressive of a period I call the teenage menopause, where your hormones are going crazy as you're leaving childhood. It is funny to think of how only one of the songs from this list comes from a musical, until you realize that they are just not very many horror movies that are musicals. Gary Jules’ stripped-down, piano-heavy cover of Tears for Fears’ meditation on existential dread is a gloomy, yet cathartic, release from the bizarre mind trip of Richard Kelly’s 2001 indie thriller. One of the most signature examples of this happens near the ending of Donnie Darko, after Jake Gyllenhaal’s troubled title “hero” goes back in time to prevent his survival of a freak accident, followed by a montage of the supporting characters seemingly experiencing deja vu of the alternate timeline created at the beginning of the film as “Mad World” plays over the soundtrack. While I do love a good juxtaposition (as many of my choices above make clear), I do recognize that nothing really ever beats a song that perfectly matches the emotional tone and central message of a pivotal cinematic moment. (Image credit: Arrow Films) “Mad World” - Gary Jules (Donnie Darko)